- Deborah Littlejohn Archive of Work
- **************
- gursky catalogue
- mia catalogues
- kahlhammer catalogue
- redcat catalogues
- skin tight catalogue
- else/where: book
- brice marden catalogue
- graphic design theory
- TCDC metro letters
- aiga design annual
- brilliant! catalogue
- gilded edge catalogue
- 3 centuries catalogue
- redlurered website
- midtown xing identity
- TCDC knowledge maps
- TCDC identity
- various DI projects
- various identity design
- aiga poster
- greening the U
- nytimes magazine
- calarts cd-rom
- idea house interactive
- design lab exhibition
Title: Brad Kahlhammer: Almost American exhibition catalogue, (2000)
Client: Madison Art Center, Madison, WI
Project: Publication produced for the artist's first solo museum exhibition at the Madison Art Center. Like the show, the book features eight large-scale color-saturated paintings, several drawings and a sculpture installation, as well as a new suite of drawings created in response to historical sites in Wisconsin visited during a fall residency. He describes his art as a third place—an imaginary zone that fuses the dreamt and real of his first place of Native American ethnicity and his second place of a conventional middle-class upbringing. From this perspective, Kahlhammer seeks understanding of the social position of Native Americans in the mainstream culture of the United States. Designed by Deborah Littlejohn and Santiago Piedrafita.
(1 image follows)
Client: Madison Art Center, Madison, WI
Project: Publication produced for the artist's first solo museum exhibition at the Madison Art Center. Like the show, the book features eight large-scale color-saturated paintings, several drawings and a sculpture installation, as well as a new suite of drawings created in response to historical sites in Wisconsin visited during a fall residency. He describes his art as a third place—an imaginary zone that fuses the dreamt and real of his first place of Native American ethnicity and his second place of a conventional middle-class upbringing. From this perspective, Kahlhammer seeks understanding of the social position of Native Americans in the mainstream culture of the United States. Designed by Deborah Littlejohn and Santiago Piedrafita.
(1 image follows)
above (top row, left): Front cover; (top row, center and right): Inside front cover and inside back cover showing double barrel roll fold; (center row) Spreads from the plate section; (bottom row, left): Essay spread; (bottom row, center and right): 4-color fold outs showing the artist's photographic landscape portraits of the South Dakota Badlands.